I’m pretty sure I saw the same tweet from Stephen Totilllo (sp?) just to give you some credence, but I think many people called him out for it as it was below his usual reporting standards.
We’ll have to wait and see when the case developers further.
But if it’s just about the concept of “collecting monsters” and using them in battles somehow, then they can go fuck themselves.
I don’t think it would be that because it would be unenforceable. There are plenty of games where you collect monsters, some of which existed before Pokemon’s creation and plenty that have existed after. It would be the King Kong case all over again, but inverted.
Without a doubt, Patents and Software are a bad mix.
But there’s definitely a truth to the idea that Palworld in particular were aiming for a legal battle against Nintendo from the beginning with provocative action. There’s a reason why Nintendo has rarely gone after Pokemon-likes but have decided that this particular company is worth pursuing.
This is kind of a lose-lose situation. Palworld was clearly kit-bashing existing Pokemon models and were engaging in creative bankruptcy, but software/game patents serve only to hurt creatives and developers around the world and Japan in particular is poor around SLAP suits.
So, I agree, grab the popcorn. But I hope that whatever patents they’re choosing to enforce here don’t have a major ripple in game development as a whole. There’s a world with the brazen IP theft of palworld actually does us all a disservice by making it an easier case for Nintendo to enforce Patents that would otherwise be unenforceable or difficult purely out of optics.
Regarding VPNs, I wish this was an easier way of doing it. Unfortunately it requires all friends to be tech savvy enough to understand why a vpn is necessary.
Is China tailoring the content to politics or are political influencers just better at pandering…
It’s hard to say without proof so I won’t pretend to know the answer. What I do know is that, if the roles were reversed, China would 100% believe that any movement that caused chaos within the country was somehow orchestrated by the United States as that’s what they’ve done in the past. So, until we have a hospitable relationship where the countries see eye to eye on any social issues, it really doesn’t make sense for either control to have the keys to a popular social media network in the other – if you get my drift. I will also say that promotional programs of games and movies from China, like the recent Wukong controversy, highlights that China very much believes in pushing their political narrative to the degree that it would be hard to imagine them not using it with a widely popular social media network like Tik Tok.
This is where federation is smart though – the content is dispersed enough that the idea of removing a server is less daunting and there are fewer entities that are too big to fail.
It’s a fair point. Frankly, considering where I am, I think America’s social media should really be forced to engage with some kind of open federation standard (doesn’t have to be activity pub) as I think it better reflects how the United States itself is designed as a republic. That feels like a long shot, but it’s the dream.
We could force control of Tik Tok’s algorithm to be managed by a United States entity. You know, basically what China does to US businesses who want to sell product in China.
If they don’t want that, they could let Google serve wikipedia articles about Tienanmen Square again lol.
As someone who has been going to 7-11 more now than ever in the past, I actually kind of hope they succeed in this.
The Japanese ownership has made the chain much better than it was prior in the 90s, for instance.
I’m surprised it hasn’t been mentioned yet, but there’s the entirety of Full Metal Alchemist’s first TV Series that starts pretty close but ends up diverging significantly. Many people find the ending of this original anime to be a huge disappointment – to the point where they completely redid the anime.
Trigun manga and the original TV series diverged, but it’s really up to debate whether the TV show is “worse” as I really think the quality of the show is mostly good but starts to show rough edges on the occasional episode. The last episode is pretty fantastic though, so they stuck the landing IMO. I think the story of the most recent Trigun Stampede is quite a bit worse than both the manga and the original series, though I would say that even the manga made some of the same mistakes but in different ways if… that makes sense lol.
Also, and this is a bit of a cop-out, but many of the Leiji Matsumoto manga projects are adapted completely differently with each movie / series / book having a completely isolated but similar continuity. This is an intentional design and is even true with all of his individual manga works. I’s part of his “Rings of Time” system, which allows characters to exist across multiple continuities and timelines. Anyway, while most of these projects resulted in some of the greatest shows and movies of anime legacy, there are also notably a few duds so it’s always worth reading reviews of a specific series / run and see whether people recommend a different series if you are interested in the characters.
This sucks. She was a classic voice of Anime.
AO was truly special in how bad it was. I gave up watching it somewhere around them sneaking around in tents, if my recollection serves correctly. I hear that it only got worse so I really lucked out haha.
I’ve talked to my girlfriend many a times about how disappointing all of the post tv series Eureka Seven content is. It feels like they’re all so messy and poorly executed.
Right, legally speaking that would be covered in the US.
But Japanese law is completely different and IIRC parodies are not covered which is why anime always censors their parody references to other anime. It’s stupid, but it’s the society that both developers are from.
Only time will tell what they’re actually accusing Pocket Pair of doing though.
edit: censors, not sensors. 🤣