Hail Satan.

Mbin
Sharkey

  • 9 Posts
  • 136 Comments
Joined 1 year ago
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Cake day: June 10th, 2023

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  • Been playing a lot of The Finals lately. Normally my time would be spent in Destiny 2, but the current D2 season is gonna last for a looooong time, so I’m not in any hurry to grind it out just yet. But The Finals has absolutely blown me away so far. It can be buggy and unbalanced at times, but it’s so damn fun. Demolishing an entire building to bury the cashout station in rubble and prevent a steal is so satisfying.

    Embark has also recently said that they’ve got a lot of updates in the works, so I’m really excited to see how Season 2 plays out.






  • While all of that appears to be true, that doesn’t mean Nintendo/TPC aren’t able to make this small studio’s lives a nightmare if they wanted. I have a feeling that the level of scrutiny the studio will be under from now on is going to inhibit any real innovation, as they’re already walking a very fine line as it is.



  • I’ve got a feeling that the legal issues, even if they’re in the clear, are going to pose a lot of problems for the longevity of the game. But, I’m really hopeful that this sparks inspiration for other devs to take on the monster collecting genre. Pokemon has dominated that space for so long that they practically define the genre at this point, so it’ll be nice to see new monster collectors come out with their own unique styles.







  • If you think E3 was a more welcoming venue for indie studios, you’d be mistaken. Getting a booth or presentation slot at E3 was insanely expensive. If Nintendo, Sony, and Microsoft didn’t think it was worth their money to have even a booth presence on the show floor, you can probably imagine how prohibitive it was for smaller studios.



  • Chozo@kbin.socialtoGaming@beehaw.orgE3 is officially dead
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    9 months ago

    That’s fair. I guess you and I got different things out of E3, then. I mostly only followed the news on the game announcements, and not so much on the experiences on the show floor.

    For me, I only really tuned in for the ads, because that’s how I would keep up to date with the gaming scene before I had the internet in my pocket.

    I kinda have the same takeaway for Keighley’s shows. I don’t even really care too much about most of the awards (Like, who cares about Best eSports Coach? Why is that even a category?) except for GOTY and maybe a few others like Best Performance. I’m mostly just watching for the trailers, myself.


  • I mean, that’s exactly what E3 had always been in the first place, too. Developers/publishers only showed up to advertise upcoming releases. Only instead of 3 hours of ads a year, it was 3 days of ads. Yeah, we got a lot of cool insider interviews from E3, but even those are just ads.

    If advertising is the issue, E3 was a far worse offender than any of Keighley’s productions, imo.