Yeah, but I can’t communicate back when people mention me because federation has been broken on SDF for almost a week now. Not that it helps to reply when I know that already… but let me know if you actually receive this!
Inbred: chaorace’s family has been a bit too familiar. (Can be inherited)
Yeah, but I can’t communicate back when people mention me because federation has been broken on SDF for almost a week now. Not that it helps to reply when I know that already… but let me know if you actually receive this!
So, it is a matter of our friendly shinobu maintainer to get them merged and update shinobu’s database with the new show info
My bad for the delay. Work’s been a real killer for the last week or so.
The bad news is that when that occurs, shinobu will likely blast all the discussion threads at once into the community.
Yup. I’m planning to do the thing overnight so that the backlogged posts fall out of the “Hot”/“Scaled” queues before most users have any a chance to see them.
This will make it hard to find discussions for the shows that people actually want to talk about
On that note… I’m thinking about migrating from the Holo bot codebase to the Rikka codebase you’ve been working on. Probably not at the same time we load the new seasonal config… but likely sometime in the nearish future. I suspect that the new engagement-based options you’ve introduced will help considerably reduce future backlog spam
A fellow Xbox gamepass User IT seems.
Nope, I’m just someone who waits for sales and has a bit of an indie streak.
This was after my First playthrough. Now, with George putting out his video, im back in. My god, its marvellous.
I see we follow similar creators! I only just picked Pentiment up last week – Jacob Geller’s recent 2023 video is what originally put Pentiment on my radar and then George’s video gave me that final push into playing it for myself. I’m extremely glad for having done so because Pentiment has quickly become quite special to me. I already look forward to making subsequent playthroughs despite still working on the first.
Hifi Rush was great, but felt too formulaic for me, so i abandoned it after the first or second Boss. Too much running arpund, No real banger music between Bosses.
I can see where you’re coming from. From a macro perspective, the game’s essentially just a series of battle arenas stitched together by corridors and platforming challenges… nothing incredible there. What makes Hi-Fi Rush special for me is the novel fusion of rythm mechanics and spectacle fighter mechanics – they complement each other extremely well. (Forgive me for explaining at you like this. I just can’t help myself when it comes to talking about this game)
Normally, I can’t stand DMC-likes because of the requisite rote memorization. HFR flips this dynamic on its head by making the memorization incidental – it happens naturally as you practice playing the combo on-rythm. Perhaps even more importantly; just as mastery of a combo string comes within reach, the underlying musical qualities all suddenly spring into focus and turn the sequence into a musical phrase. It clicks together in a very intrinsically satisfying way IMO. Naturally, this all compounds in on itself and gets double-fun once you start improvising your own “melodies” during real combat. You like Jazz? Because it’s like Jazz if Jazz killed people.
Now, obviously this isn’t going to hit the same way for everyone (nor should it!)… but if you’ve not yet buckled down in training mode and truly mastered a string or two for yourself, then I would very emphatically encourage you to give the game a second try. I actually had to do the exact same thing myself before I really “got” the game and my mindset shifted. Hi-Fi Rush truly is the Dark Souls of 3rd-Person Action videogames
When it comes to Deep Rock/co-op I think my issues are more associated with the underlying gameloop design. I find it hard to perform well when the “tension” ramps up and these games are kind of tailor-made to create high-tension situations. When a round ends I’m left feeling tired/deflated rather than joyful. I had the same issue with Left 4 Dead, but oddly not so for Payday 2.
In any case, I’m right there with you when it comes to TF2 community servers. I sorely wish that more games emphasized these sorts of digital “3rd places”. I have TF2 servers where I can go anytime and just… belong for as long as I please. Games should have more permanent places like that, where play and community come before any imposed win/lose dichotomy. People would be happier.
Yup, that about sums it up: fun, but shallow. Nevertheless I think it’s worthy of a recommendation because it has a great honeymoon period before falling off.
I had a really solid year, all things considered:
Honorable Mention: TF2 – Definitely not a “new” game to me, I own TF2, I bought it with money! Even so… this year marked my return after a looong hiatus. Coming back was a total revelation – I thought I’d grown to hate FPS games – as it turns out, what I’d actually grown to hate was the modern antisocial MMR grindset. Game developers: I beseech thee… abandon matchmaking and return to 2007. Return the slab or suffer my curse
Hmm… I think we’re dogging on the author a bit much here. Don’t get me wrong, they’re clearly swimming in philosophical water that’s a bit too deep for themselves, but sometimes you’ve gotta be clumsy in order to explore topics at the edge of theory.
Let’s dial things up a notch and bring Undertale (the Dark Souls of – nevermind) into the discussion. What does it have to say about branching pathways, tonal consistency, and savescum? It says: I was made for you, please enjoy me.
The game adapts to the audience – you, that is. You are weird and hard to please, so the game needs to be flexible without feeling compromised. If you want to leave hidden depths unexplored, the game abides. If you want to vivisect every last detail, the game changes to fit your desire.
It’s alchemy, of course; both magical and unobtainable, so the author isn’t strictly wrong to accuse Baldur’s Gate of falling short. It’s true: sometimes a gap in the curtains opens up and the illusion is spoilt. With that being said, I think what’s missing is the logical conclusion to the criticism: universality – despite being unobtainable – is still worth striving for. To be universal is to distill humanity itself, as great and terrible and impossible as that may be (and here you thought I was joking with that Dark Souls jab!).
Should the NVD be deeply involved in all of them just to provide the most accurate security score? That’s an impossible ask.
This is a false dilemma. If the task is truly impossible, that’s not a valid excuse to try anyway and fail repeatedly, especially if doing so causes negative externalities. Numbered scores with decimal precision are not necessary to the core functionality of a CVE database and there are plenty of alternative solutions which would minimize harm and scale more economically.
We can do better.
I’m guessing “wrong-sider” would be a step in the wrong direction?
Ah, nevermind sorry about the trouble. He’s a cofounder of the company whose logo you’re using as an avatar (“Ronimo”, i.e.: “Robot Ninja Monkey”).
This is a long-shot question, feel free to disregard… but I have to ask: is that you, Joost?
Cheetah Cub died from our emissions
You’ve assumed that I want to explain the root cause of the initial decline. This is not the case. Historically, SO has seen several periods of decline. What I’m actually addressing is the question of why the decline has not stopped, because the sustained nature of this decline is what makes it unusual. If you look at the various charts, you can see a brief rally which gets cut off in late Winter 2022 – this lines up rather nicely with the timing of ChatGPT’s release, I feel.
Let’s ignore that. Tell me more about your Google angle: what’s the basis of your hypothesis?
It’s too much to attribute to any one effect. 50% is a lot for a website of this size (don’t forget that Lemmy exploded from a migration of <5% Reddit usershare). Let’s KISS by attributing likely causes in order of magnitude:
The Monster Season is real!!
And Aniplex is taking it seriously! Glad to see that those Kizumonogatari re-release bucks are being put to good use. Also, slightly related: Kizu’s coming to American theaters in 2024.